Friday, May 22, 2020

How Poetry Can And Can Not Say Many Things - 957 Words

Poetry can and cannot say many things in many ways. Poetry in the Twentieth Century pertaining to the Great War or the First World War gave people an idea about what poetry could say and could not say. Poetry during the First World War would often either conceal the true nature of the conflict going on or poetry would gruesomely paint the conflict for what it was worth. Robert Brooke’s â€Å"The Solider† conceals the First World War’s ultimate brutality by claiming it as a noble endeavor, Wilfred Owen’s â€Å"Dulce Et Decorum Est† does the opposite of Brooke and paints the gruesomeness of the First World War for what it was actually worth, and Siegfried Sassoon’s â€Å"They† both, addresses the conflict of the First World War as a noble endeavor like Brooke and as a gruesome Hell like Owen. Death for most in the First World War was a real, probable and ugly reality. Brooke’s poem, â€Å"The Solider†, tries to mask this un fortunate reality by emphasizing that the death of an English solider is not in vain or without value, but instead is valiant and noble. Brooke does this by showing that the mark the solider leaves behind when he dies is of richness and not of futileness: â€Å"If I should die, think only this of me: That there’s some corner of a foreign field That is forever England. There shall be In that rich earth a richer dust concealed;† (Lines 1 – 4) Brooke’s assertion in these lines is that the soldier’s death has left the land in which the soldier was fighting, a more richerShow MoreRelatedSimilarities Between Lyrics And Poetry1122 Words   |  5 Pages Are Lyrics Poetry or Meaningless Words? In society today, there are many arguments about whether or not song lyrics should be considered poetry, or if the two are completely different in their meanings. 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